Where we work

Video Production Across Regional WA

One Perth crew, the whole state. We mobilise for shoots from the Wheatbelt to the Goldfields and the far north, with the planning that regional production demands.

Production on location

Western Australia is the size of Western Europe, and most of the stories worth telling in this state happen a long way from a capital-city studio. We've built our production process around that fact: compact, self-sufficient crews that travel well, gear cases packed for redundancy, and pre-production that treats logistics as seriously as the shot list.

Distance changes how you plan a shoot. In Perth, a forgotten cable is a quick trip; five hundred kilometres inland it can end a shoot day. So we carry spares of everything critical, bodies, lenses, media, batteries and power options, and we plan charging and data backup around wherever the crew sleeps that night. Weather windows, travel days and daylight hours are scheduled honestly rather than optimistically, because a regional schedule with no slack is a schedule that fails.

Aerial work is usually the reason clients bring us out. Our drone and helicopter cinematography is flown by licensed remote pilots under CASA regulations, and regional locations bring their own approvals, national parks and reserves need filming permits from the managing authority, station country needs landholder permission, and even remote airstrips have airspace rules. We identify and organise what each location needs during pre-production.

The efficient way to buy regional production is to stack the trip. Once a crew is on the road, each additional story is dramatically cheaper than a separate mobilisation, so a resources client might combine a safety film with recruitment interviews and aerial progress capture, and a tourism region might capture campaign film, social content and photography across one loop. We scope regional work that way by default, and it's a habit our mining, tourism and government clients get real value from.

For the far north and the corners of the state with their own logistics, see our dedicated pages for the Pilbara, the Kimberley and the South West. Wherever the job is, the process starts the same way: tell us the brief and the location, and we'll come back with a plan and an itemised estimate.

How we mobilise

  • Compact, self-sufficient travelling crews
  • Backup camera, media & power kit
  • Travel, accommodation & fuel planned in pre-production
  • Honest weather-window & daylight scheduling
  • Filming permits & landholder permissions organised
  • Multi-story trips scoped to share travel costs
  • Same-trip photography available

Where we shoot

WheatbeltGoldfields–EsperanceMid West & GascoyneGreat SouthernCoral CoastPeel & beyond + everywhere between

FAQs

Regional WA production, answered.

How are travel costs handled for regional shoots?
Transparently. Travel days, vehicles, accommodation and any flights are itemised in the production estimate up front, no surprises on the invoice. Stacking multiple stories into one trip is the best way to make the travel component work harder.
Do you need permits to film in regional WA?
Often, yes. National parks and reserves require filming permits from the managing authority, drone flights can need CASA-related approvals depending on airspace and proximity to people, and private or station land needs the landholder's permission. We identify and arrange what's required as part of pre-production.
How far ahead should we book a regional shoot?
More lead time than a metro job, enough to secure permits, accommodation and the right weather window. A few weeks is comfortable for most regional work; complex or permit-heavy locations benefit from more.

Explore

Nearby regions & the work we do there.

All service areas

Let's talk

Bring us to your region.

Tell us the brief and the location, and we'll come back with a plan, a schedule and an itemised estimate.