Where we work

Video Production in the Kimberley

From Broome to Kununurra, the Kimberley is the most cinematic country in Australia, and some of the most demanding to film. We plan for both.

Production on location

The Kimberley doesn't do ordinary backdrops: gorge country, boab silhouettes, tidal flats that turn copper at dusk and a coastline most Australians will only ever see from the air. It rewards crews who arrive prepared and punishes those who don't. This is remote production in the truest sense, where the next camera store is thousands of kilometres away.

The season shapes everything. The dry (roughly May to October) brings reliable light, open roads and the visitor season; the wet transforms the landscape with full waterfalls and dramatic storm skies, but closes roads and compresses shootable hours around heat and humidity. We plan Kimberley productions around the season that suits the story, and we build genuine contingency into wet-season schedules because the weather holds the casting vote.

This is aerial country. The scale of the Kimberley only reads from above, which is why drone and helicopter cinematography anchors most of our work here, and why we offer heli shoots for the reaches a drone can't legally or practically cover, from long coastal runs to locations with restrictive drone permissions. Tides matter too: the Kimberley coast has some of the biggest tidal movements in Australia, and shots around Broome's beaches and the tidal phenomena further north are planned to the tide chart, not just the sun.

Filming here also means filming on Country. Much of the Kimberley is Aboriginal land or subject to native title, and cultural protocols aren't a box-tick, some locations require permits or permission from Traditional Owners, and some stories shouldn't be told without the right people involved. We plan that engagement early through the appropriate channels, alongside the practical permits for national parks and reserves. It's work our tourism and government clients particularly rely on.

Getting a Perth crew to Broome or Kununurra is a serious mobilisation, so we make each trip count, campaign film, social cut-downs and photography captured together, with gear redundancy and data backup planned for the road. If your brand, region or production needs the Kimberley on screen, send us the brief and we'll plan it properly.

How we mobilise

  • Dry/wet season planning & contingency days
  • Drone + helicopter aerial capability
  • Tide-chart scheduling for coastal shoots
  • Traditional Owner & Country protocols engaged early
  • National park & reserve filming permits
  • Long-range travel, fuel & accommodation planning
  • Full gear redundancy & nightly data backup

Where we shoot

BroomeKununurraDerbyFitzroy CrossingHalls CreekDampier PeninsulaGibb River Road + everywhere between

FAQs

The Kimberley production, answered.

When is the best time of year to film in the Kimberley?
For reliable access and light, the dry season (roughly May to October). The wet season delivers full waterfalls and spectacular skies, but brings road closures, heat and storm risk. It can absolutely be filmed — just with more contingency built into the schedule.
Can you fly drones in the Kimberley?
Yes, our remote pilots fly under CASA regulations, and we arrange the location-specific approvals: national park filming permits, landholder or Traditional Owner permission, and airspace considerations near airstrips. Where drone permissions are restrictive, helicopter filming is often the answer.
Is a Kimberley shoot expensive?
It's a significant mobilisation, flights, vehicles, accommodation and travel days are real costs, and we itemise them transparently. The way to get value is to capture several deliverables in one trip: campaign film, social content and stills together.

Explore

Nearby regions & the work we do there.

All service areas

Let's talk

Bring us to the Kimberley.

Tell us the brief and the location, and we'll come back with a plan, a schedule and an itemised estimate.